Sign of the Cross December 20, 2007Posted by Kim Crow in : Twelfth Night , add a comment
Question: Did people in 1602 make the sign of the cross?
There are examples of early Christians making the sign of the cross since 200-300 A.D. Early indication of the sign would have been made with two fingers marking the forehead. It was used as a greeting to other Christians and as a liturgical rite. Making the sign of the cross to include the shoulders would have been practiced at this time as well. The According to OrthodoxWiki, Pope Innocent III (1198-1216) made an important change to the direction of the sign of the cross to distinguish the (papal) Roman Catholic Church from Orthodox Christianity. The distinction was reversed after the Pope of Rome and the Patriarch of Constantinople excommunicated each other during the Great Schism.
The cross should therefore be made with the right hand. One should cross the body from forehead to heart, from left shoulder to right shoulder (up, down, left, right). The cross should be indicated by bringing together the thumb, forefinger and middle finger to symbolize the Holy Trinity.
Life of a Script December 8, 2007Posted by Kim Crow in : Beard of Avon , 1 comment so far
What happened after an Elizabethan author finished a script?
Glossary of Names, p. 53 December 5, 2007Posted by Kim Crow in : Beard of Avon , add a comment
“By the way, I’ve just finished most of the books you gave me—I’ve got Lyly, just done Euphues, Sydney, Spenser (and oh, by the way, a-DORED Catullus—)” Will, p. 53 The Beard of Avon
John Lyly (1554-1606) was playwright, raised in Canterbury and educated at Oxford. Lyly moved to London after several fellowship petitions to Lord Burleigh failed. Shortly after his arrival, he published his first plays and gained instant notoriety. By 1583, he controlled the Blackfriars Theatre. Nearly all contemporary playwrights emulated Lyly’s style and language. Lyly also wrote many plays for children’s companies, which were popular for their allegorical and satirical material. His reputation was discredited for his prolific contribution to these companies after professional adult theatres were established as the principal source of entertainment in the 1590s. Later in life, Lyly had an active political life, and served as a Member of Parliament three times.
Lyly’s influence on Shakespeare was tremendous. Characters such as Polonius in Hamlet, Jacques in As You Like It and Moth in Love’s Labour’s Lost emulate characteristics of Lyly’s writing. Shakespeare biographer Peter Ackroyd notes that Shakespeare was “indeed a great cormorant of other writer’s words,” and cites Lyly’s influence in nearly all of Shakespeare’s comedies.
Euphues: The Anatomy of Wit (1578) and its sequel, Euphues and His England (1580) were two of Lyly’s most famous works. These prose plays were noted for their rhetorical style, which incorporated such literary devices such as alliteration, anaphora, antithesis and rhetorical questions. The style became a literary fashion known as “euphuism” and was noted by an elaborate sentence structure based on parallel figures. Ornamentation was central to the style and included incidents from history, proverbs, poetry and philosophy. Euphuism was parodied and replicated by Shakespeare. It was a contemporary fashion and most of Shakespeare’s contemporaries would have employed the modern style.
The complete text of both Euphues plays can be found here. http://www.luminarium.org/renlit/lylybib.htm
Philip Sidney was a prominent Elizabethan poet, courtier and soldier. He quarreled with Edward de Vere and challenged him to a duel to the death. The queen forbade the duel, which prompted Sidney to write a detailed declaration of his distaste for the Queen’s developing French marriage. He retired from court as a result of this letter. Coincidentally, Sidney’s marriage arrangement with Anne Cecil, daughter Lord Burleigh fell through while they were bothe underage. Anne Cecil later married de Vere. Sidney married the daughter of Sir Francis Walsingham in 1583.
Edmund Spenser was an English poet best known for his epic poem The Faerie Queen. The poem was an allegory of Tudor England under the control of Queen Elizabeth I. The title of this fantastical poem became an emblematic epithet of the queen. Spenser was educated at Cambridge. He is known as one of the leading contributors of early Modern English verse.
Gaius Vallerius Catullus was a Roman poet from 1st century BC. His poetry took up many subjects, including friendship, love, and politics. Many of his poems are explicitly erotic. Cicero condemned Catullus for his obscenity, and Catullus fell into obscurity until the middle ages. His most famous poems honor a woman called Lesbia, who is believed to represent the poetess Saphho of Lesbos. Catullus’ poetry indicated heterosexual and homosexual liaisons. He is considered one of the foremost writers of Latin lyric poetry.
Astrophil and Stilla
A sonnet sequence published in 1591 by Thomas Newman. It features 108 sonnets and 11 songs. Though the author was anonymous, many believe it was written by Philip Sidney. The sonnets are adapted from the Petrarchan model. Some believe that the sonnets are autobiographical allegory of Sidney’s love affair with the wife of a courtier.
Symbolism of Violets December 4, 2007Posted by Kim Crow in : Twelfth Night , add a comment
A violet was a symbol for faithfulness, fidelity and constancy in love. The Shakespeare Garden by Esther Singleton offers an excerpt from the poem “A Nosegay always Sweet for Lovers to send Tokens of Love at New Year’s tide, of Fairings, as they in their minds shall be disposed to write” first published 1566:
Violet is for faithfulness,
Which in me shall abide;
Hoping likewise that in your heart
You will not let it slide,
And will continue in the same,
As you have now begun;
And then forever to abide
Then You My Heart Have Won.
Shakespeare’s Peddler explains that violets represent humility, innocence, modesty in needlework samples.
Stewards December 4, 2007Posted by Kim Crow in : Twelfth Night , add a comment
I was very pleased with the description of the role of the steward at the “Life in Elizabethan England” site that I’ve included in the list of resources. I doubt I could describe the role more precisely as these articles:
A print copy of the three links will be available in my Dramaturg’s Black Book.
The role of the steward was honorable; in higher courts it would have been held by a gentleman. I wasn’t able to ascertain how one trains to become a steward. I believe one would work through the ranks as an understeward. I will keep my eye out for more information.
As a Beard of Avon note, The Earl of Derby was Queen Elizabeth’s steward for many years.